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Mechanical engineering students build motorized Vitruvian man for a School of Music performance

Shayla Brown — Mon, 08 Apr 2024 20:23:35 +0000

Mechanical engineering students build motorized Vitruvian man for a School of Music performance Shayla Brown Mon, 04/08/2024 - 16:23

In This Story

Dr. Lisa Billingham

Nathan Kathir

A group of George Mason University mechanical engineering students are building a motorized Vitruvian man for a Center for the Arts (CFA) performance of "Flying to the Stars," a choral concert dedicated to the beginnings of flight from the time of Leonardo da Vinci to the exploration of space.

Team members Kevin Kuck (left) and David Gosselin working on their project in the Machine Shop. Photo provided.

Lisa Billingham, director of choral activities at the Dewberry Family School of Music, said she wanted the concert to be an immersive experience for the audience, and reached out to the College of Engineering and Computing (CEC) for help. There she connected with Nathan Kathir, a mechanical engineering professor, who shared the project idea with his students.

“This project is exciting because we are partnering with another unit at Mason outside of CEC,” said Kathir, who is the director of senior capstone projects for mechanical engineering students.

“There is already a lot of art involved in engineering, and this collaboration between music and our department will be very inspiring for future students,” said Kathir.

The four students assigned to the project are working in the Machine Shop on the SciTech Campus and call themselves The Polymaths.

“We were thinking about the show’s theme of Leonardo da Vinci and we knew that the Vitruvian man is kind of his staple,” said Mellany Ayala, a senior mechanical engineering student. “I drew a very rough sketch of the Vitruvian man inside a gyroscopic figure, and it ended up being what our team decided to build.”

The device, which will hang from center stage throughout the show, has two spotlights as well as projections that will shine down on the students as they perform.

“We’re aiming for something similar to the immersive Van Gogh experience in D.C.,” said Kevin Kuck, a senior mechanical engineering student and the team leader.

The Polymaths met once a week with Billingham and her student research assistant and choir member, Ross Calvin, to discuss the project and work on a proposal for funding. They applied for and received a grant from Mason’s University Life.

Billingham also created a QR code fundraiser on Facebook and received anonymous donations, she said.

“Hopefully these cool project collaborations keep happening in the future. It was really refreshing to work with people from CVPA; they were so easygoing and in such happy spirits,” said Ayala.

The Polymaths worked with the CFA’s electrician and did a run-through a week before the performance. They will also give a presentation about the project on Capstone Day to showcase the final product.

“This project has been one of the more hands-on experiences I’ve had at Mason so far,” said Kuck. “Being able to build something with my own hands was a lot of fun, and I really enjoyed seeing it go from an idea on a page to something real. I think that's been the most satisfying part for me.”

During the concert, students will perform Jocelyn Hagen's “The Notebooks of Leonardo da Vinci” and “Leonardo Dreams of his Flying Machine” by Eric Whitacre. A piece by alum Peter Kadeli will also be performed.

Topics

senior capstone projects

Center for the Arts

Dewberry School of Music

mechanical engineering

Tech Talent Investment Pipeline (TTIP)

TTIP

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Two CVPA students use their creative skills as interns on Capitol Hill

Colleen Rich — Tue, 16 Aug 2022 19:13:33 +0000

Two CVPA students use their creative skills as interns on Capitol Hill Colleen Rich Tue, 08/16/2022 - 15:13

Mirella Guzman-Escobar. Photo by Ron Aira/Creative Services

For George Mason University senior Mirella Guzman-Escobar, the summer internship in the office of the House Creative Services, Chief Administrative Officer (CAO) at the U.S. House of Representatives is more than great professional experience, it’s a foot in the door to a job she has dreamed of her entire life.

“I’ve always been interested in working in the government, mainly because my step-mom and my grandpa both work in the government, and I want to use my voice through my design,” said Guzman-Escobar, who is majoring in graphic design.

For Jacques Lykes, who graduates in August 2022 from Mason with a bachelor’s degree in film and video studies, it’s a step closer to achieving his dream of starting his own production company in the Washington, D.C., metropolitan area.

Guzman-Escobar and Lykes are currently collaborating on a project called “A Day in the Life of an Intern.” Through captivating video and Instagram spotlights, this project highlights interns and their roles at the CAO, with the goal of promoting the internship positions and encouraging more engagement.

Jacques Lykes. Photo by Ron Aira/Creative Services

“They’re really letting us be creative and making me feel like part of the team because I’m working on things that they’re working on, too,” Guzman-Escobar said of her colleagues at the CAO.

The students apply skills that they have learned from Mason’s College of Visual and Performing Arts (CVPA) as they prepare for their respective futures.

Lykes, who is originally from South Carolina, works as a multimedia intern for the CAO. He transferred to Mason from Northern Virginia Community College in his junior year.

He said FAVS 366 Video Production for Social Change, taught by GMU-TV Executive Director Richard Wood, “really prepared me to take on an internship like this.”

“Jacques takes pride in his work. He’ll put in the effort and the time, because it matters to him personally,” Wood said of Lykes. “I’m not saying Jacques got that from my class, I think that is who he was before, but it’s certainly something I harp on.”

Lykes’ academic adviser Lori Yi shared internship opportunities with him. “They were very adamant about making sure that film program students had opportunities outside of Mason,” Lykes said.

“Jacques’ ability to learn quickly, ask questions, and be adaptable has made him invaluable on student films sets,” Yi said. “He’s been an engaged part of our community from the very beginning, and I’m excited to see his future contributions.”

While searching for professional opportunities for the summer and throughout the application process, Guzman-Escobar said her typography professor and mentor Juana Medina offered her guidance.

“[She] impacted me a lot,” Guzman-Escobar said. “I used a lot of assignments that she gave us in class for my portfolio pieces, and it really helped me.”

As a graphic design intern, Guzman-Escobar helps her team with many of their projects, she said.

Working on hands-on projects, and with fellow Mason students, has been exciting, the interns agreed.

“Working with Mirella has been really great. She’s a fantastic person and one of our strong suits is how well we meld together,” Lykes said.

Topics

Students

College of Visual and Performing Arts (CVPA)

internships

School of Art

College of Visual and Performing Arts Film and Video Studies

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Creating Art, Uplifting Communities: Nine CVPA Faculty Members Receive Purks Grants

Emily Schneider — Wed, 13 Apr 2022 15:50:44 +0000

Creating Art, Uplifting Communities: Nine CVPA Faculty Members Receive Purks Grants Emily Schneider Wed, 04/13/2022 - 11:50

In This Story

The College of Visual and Performing Arts (CVPA) is proud to encourage the continued creative development and expansion of our faculty, offering them time and resources to pursue the interests that energize them beyond their classrooms.

Established in 2018 by Robert Purks, a long time Arts at Mason Board member and supporter, The Robert K. Purks Faculty Enrichment Endowment provides perpetual support to further the research and creative activity of faculty in the College. Faculty across CVPA can apply annually for funds in support of projects that fuel or are fueled by their own creative ideas and artistic expression.

For 2022, nine faculty members from the School of Art, the Film and Video Studies Program, and the Reva and Sid Dewberry Family School of Music will use their grants to explore projects and work that ranges across mediums and styles, connecting communities and sharing new ideas.

Read on to learn more about each faculty member and their projects, in their own words.

Juana Medina, Assistant Professor in the School of Art, will integrate the stories, livelihoods, and cultural practices of Zapotec women of Teotitlán del Valle, Mexico into a children’s book centered on the community’s attainment of financial independence through mastering the art of Oaxaca rug weaving.

“As a children’s book author and illustrator, I'm committed to sharing stories that elicit understanding and increase our sense of empathy. I believe it is possible to do so by increasing fair and accurate representation of marginalized communities in books,” Medina said. “Featuring Vida Nueva’s weavers holds unique value: these individuals, once marginalized and isolated, came together and reclaimed their traditions, finding strength and sense of purpose, while becoming some of the top weavers in Oaxaca.”

Justin P. Sutters, Associate Professor and Director of Graduate Studies in the School of Art, is attending the highly competitive leadership training program “School for Art Leaders,” hosted by the National Art Education Association (NAEA) in Bentonville, Arkansas. During the year-long training program, Sutters and his cohort will engage in workshops, interactive activities, and reflection exercises with trained mentors to advance his skills as an arts educator.

“Personally, [the NAEA training] is a natural progression in my own development as I continue to take on more leadership within the University,” Sutters said. “Likewise, [the training] increases the visibility of our burgeoning Art Education program on the national level and adds credibility as a graduate program at a Research I Institution. This truly is an enriching opportunity for my development as an artist, educator, researcher, and leader."

Peter Kimball, an adjunct faculty member within Film and Video Studies, is bringing his award-winning American Sign Language play “Millstone,” to the big screen, with the funds awarded from Purks financing on-set ASL interpreters and ASL coaches during the film’s pre-production.

“I am shooting the film version of [Millstone’s] script with an entirely deaf cast and entirely in American Sign Language,” Kimball said. “The story does not deal with deafness nor does it directly address the characters’ deafness at all. Instead, the characters simply happen to be deaf. I believe it is important to create art that does not only include people living with disabilities, but that also allows them to be whole, complicated individuals not defined by their disability.”

Robert W. Gillam, Director of Music Technology in the Dewberry School of Music, is using his expertise and abilities as an electro-acoustic composer to research, write, and share music amplifying the benefits of National Parks.

“As a composer-in-residence I [will be] living at the National Park location for several weeks to a month, working with the park rangers to learn about the special features of the location while composing music based on my experiences there," Gillam said. “The residency [will] culminate in one or more public concerts at the park with the possibility of live-streaming the concert to an even wider audience. The [Purks] funds will be used to purchase a variety of sensors, connectors, contact microphones and cables to be used in the composition, performance and recording of electro-acoustic music.”

James Justin Plakas, an Assistant Professor in Film and Video Studies and the School of Art, is merging historic photographic processes with motion picture film to create his multimedia project "Camaro Lucinda." With a vision to make the film "colorful, comedic, and visually dynamic," Plakas’s converging of several image-capturing methods is in the pursuit of creating a new, unique, and surreal visual experience for viewers.

“The imagery [of ‘Camaro Lucinda’] will have a graphic quality and involve characters that exist in our world but in surreal scenarios,” Plakas said. “For example, a group of nuns playing tennis or a single clown on an overpass sandwiched by a wall of concrete and an endless blue sky. This work comments on the complicated aspects of representation in modern life. It is increasingly necessary for artists to engage in critical dialog that asks the viewer to scrutinize the media they consume and to question what they are seeing.”

Victoria Ellison, an adjunct faculty member within the School of Art, is attending a workshop in the art of Nihonga—a traditional Japanese mineral painting technique. The workshop, taught in Washington State by authority Judith Kruger, will allow Ellison to expand her artistry and share one of Japan’s oldest art practices with Mason students.

“I’ve experimented with creating Nihonga paints, but find now advanced training, such as Kruger teaches, essential,” Ellison said. “I teach color and contemporary art to students from broad disciplines in the sciences and humanities, and diverse cultural practice is a critical component of my teaching. Studying Nihonga also addresses color science, mineralogy, contemporary paint manufacture, and its environmental impact. Studying Nihonga will enable my future research in the country where it’s been taught for 1,000 years, as well as opportunities for research back at Mason.”

Samirah Alkassim, Assistant Professor in Film Theory, Film and Video Studies, is traveling to Jordan in pursuit of research for her upcoming book “A Journey of Screens in 21^st Century Arab Film and Media,” (Bloomsbury, forthcoming 2023). Exploring Jordan’s visual media over the last two decades, Alkassim will be visiting Jordan’s Department of the National Library, the Cinema Section of the Abdul Hameed Shoman Foundation, and the library of Darat Funun to access their archives of film, film makers, and film history.

“One of the eight chapters [of ‘A Journey of Screens’] focuses on Jordanian cinema, its cinematic and televisual past and present,” Alkassim said. “Aiming to fill in the lack of scholarship on Jordanian cinema, this chapter advances the book’s general study of an array of media –auteur cinema, television series, documentaries and short films –in the context of the changing media-scapes of the last twenty years, as evidence of a “new” modernity that is simultaneously old, commonplace, and provocative.”

Mark Cooley, an Associate Professor within the School of Art, is using the Purks Faculty Enrichment Fund to support the distribution of his documentary "Fighting Indians," which premiered in November at the American Indian Film Institute. The film chronicles the last school in Maine - the homogenously white Skowhegan High School, known as "the home of the Indians" - as they fight to keep their mascot prior to the historic legislation banning Native American mascots in the State's public schools. 

“This landmark legislation marks the fulfillment of a decades-long struggle on the part of the Tribal Nations of Maine to educate the public on the harms of Native American mascotry,” Cooley said. “This is the story of a small New England community forced to reckon with its identity, its colonial history, and future relationship with its indigenous neighbors. It is a story of a small town divided against the backdrop of a nation divided where the 'mascot debate' exposes centuries-old abuses while asking if reconciliation is possible.” 

Edward Knoeckel, adjunct Professor within the Reva and Sid Dewberry Family School of Music, is utilizing the Purks Faculty Enrichment Fund to implement problem-based learning (PBL) methodologies in a Music for Non-Majors course. With the objective to enhance students' learning experiences beyond traditional teacher-based approaches, Knoeckel will be spearheading a pilot study to analyze the effect of implementing the PBL learning style in a music appreciation course at Mason.

“PBL is an approach that maximizes student engagement with course content through group-based problems which motivate formative learning experiences,” Knoeckel said. “This approach is broadly used in the STEM fields, however, there is still a gap in understanding the effectiveness of PBL across disciplines in the arts. Through the course of this funded research, I will see how PBL affects critical and creative thinking as well as self-regulated learning and collaboration skills by transforming the traditional music learning conditions into a PBL treatment for a music appreciation course.”

Topics

grants

faculty research

College of Visual and Performing Arts (CVPA)

Arts

Dewberry School of Music

Tech Talent Investment Pipeline (TTIP)